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Aether

I’ve always been drawn to meditation and finding a little more balance in myself. With Aether, I was interested in how a subtle smell could help you feel more present in a room. I wanted that feeling to begin when you hold the box in your hands. There’s the textured paper wrapped around the wood, the blind-embossed logo beneath your thumb and the visible fibres in the sticker. Pull the small handle and you discover the shiny incense holder, kept in place by carefully folded paper, followed by the sticks in their thin, almost see-through wrapping. Each layer gives you something else to notice. I wanted opening it to slow you down a little, to bring your attention to what’s in your hands.

Black Aether letters arranged in an open circle with a dot on a pale background.

The logo’s lettering grew from my interest in the softness of Japanese calligraphy. Its fine serifs reminded me of the incense sticks themselves, while the looping shapes suggested smoke curling upwards. Finding a balance between those straight lines and rounded curves took some exploring. I liked the sense of the lettering coming back to itself. It connected with what interested me about the ritual in the first place: taking a moment to become more centred in yourself. I hoped that moment could begin before the incense was even lit.

Ceramic incense holders, an open incense box and a slender pink vase with small blossoms on a pale surface.
Green liquid being poured into a marbled bowl, beside an incense box and pink blossoms.
Aether incense packaging beside an open box of incense sticks and a spherical ceramic holder.
White Aether incense box with a pale pink No. 05 Ruby label on a neutral background.
White Aether incense box with a yellow No. 04 Pearl label on a neutral background.
White Aether incense box with a brown No. 02 Aomori Hiba label on a neutral background.
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